This ongoing project examines the gap between visibility and recognition within the UK justice system, particularly in cases of gender-based violence. Shot on medium format 120 film and digital, the work draws on feminist visual theory, fashion styling, and performance for camera to question how institutions claim neutrality while repeatedly misrecognising women who seek protection.

Through architectural scale, motion blur, and symbolic domestic materials, the series exposes the structural blind spots shaping women’s encounters with justice - visible, yet unheard.

Gel plate (gelli) prints extend the project’s material research, layering and distorting imagery to echo processes of fragmentation and erasure. Together, the works challenge the aesthetics of authority and turn scrutiny back onto the systems that fail to recognise women